“STOLEN MOMENTS” BALANCES GARAGE PRIMITIVISM & SMART ROCK CRAFT!

 

 

2017 marks Rick Shaffer’s eighth solo album, “Stolen Moments”, which was inspired by the concept that there are no guarantees or promises in life.  Throughout his career, Shaffer has turned over every possible stone, and he’s decimated them all into a thousand pieces. He helped jump start punk rock, merged seamlessly into garage rock and found success with The Reds©, a band he co-founded, he has since found his way to solo punk and garage rock releases among other projects. That all makes his new record an incredibly hard act to follow. What else is there left to conquer? The proto-garage raver to end all garage ravers, that’s what!

Rick Shaffer’s art balances garage primitivism and smart rock craft, which will frequently draw avant-gardists and casual listeners alike, to his unique rock n’ roll fervor. Combining jagged, roaring guitars and fast-slow dynamics with raw melodic vocals, intertwining harmonics, and evocative, lyrics, Shaffer is an accomplished musicians who is not afraid to wail and bash out chords while his lead guitar squeals out spirals of beautiful noise.

The music’s shrieking power will cover every emotional and intellectual territory inside your cluttered brain, as “Stolen Moments” pushes the envelope, redefines, and ultimately sets fire to the foundations of everything currently found under the rock tag and all its sub-genres.

It is of course, abrasive in parts, but it is not inaccessible to even mainstream radio. I could easily imagine tracks such as Downtown Suzy”, Modern Lie, Time Strays and Call My Name blaring from my radio. It may take some time to get past the squalls of raw power, but once you do, it is easy to see that this actually is a very melodic album. The guitars wail and scream and Shaffer uses his instrument like few others do today. A great full-length from one of the smartest, ingenuous artists foraging within the genre, in my humble opinion.

No theatrics, no sense of hip or cool. Just the basics. The performances themselves are delivered in variable doses of bone crushing, elegance, beauty, raw, power, and color. The great thing about Rick Shaffer is that he is an artist that does everything so right. The vocals are fierce and emotive, Teddy Rixon’s bass like loud, delicate thunder, Stevie Carlisle’s drums smart, inventive, and solidly anchored.

And then there is Shaffer’s guitar, bearing the responsibility of bringing all those twisted, sonic sounds right into your stereo. Of course, there are the songs that exult those qualities, among them: All I Want, One In Five, Higher, Chopping Wood and Danger Awaits. Rick Shaffer is for real, and “Stolen Moments” is an immense creative process transformed into musical form, one that is impossible to ignore.

                                                                                       

Screaming Match Reviews Rick Shaffer’s “Stolen Moments”

 

ARTIST SPOTLIGHT: RICK SHAFFER

GARAGE-ROCKER RICK SHAFFER HAS BEEN GOING STRONG SINCE THE 70’S, AND HE CERTAINLY HASN’T LOST EVEN A LITTLE BIT OF THAT FLICKER AND FLAIR THAT MADE HIM SUCH A RECOGNIZABLE FORCE IN THE UNDERGROUND ROCK SCENE.

Continue reading and download a FREE mp3 of “Modern Line” . . . http://bit.ly/2fXugNO

Tarock Music Releases Rick Shaffer’s 8th Solo Album

Rick Shaffer’s eighth solo album, STOLEN MOMENTS, was inspired by the concept that there are no guarantees or promises in life, and every minute he spends writing and recording is precious time.  The result is an album packed with low-tech wallop, bursting energy and immediacy.  The production resembles The Stooges “Fun House” and is a proto-garage raver to end all garage ravers.

Read all the Liner Notes HERE.

Listen to full tracks on CD Baby.

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New Music From Around The World Reviews Bruce Cohen’s “Four BC”

I spent the weekend listening to a new album from Bruce Cohen. It’s rare to come across a musician that has such a deep vision for music and can captivate the sound around you. This new album is going to transport you out of your ordinary day-to-day mentality and take you to place in your mind has been waiting for you to visit. A place where you can let your imagination run wild and break free from the repetition of life.

Right off the press of the play button, you’re greeted by the uplifting rhythms of the premier track, “HAUS.”  This track will get you in the groove and set the mood for album. It is so important for the first track to set the mood of the album and this track has all the right ingredients for a lead-off track. You’ll find depth in the music that reaches far beyond the capabilities of your stereo system. Four BC is an instrumental journey through the vast untraveled landscape of your mind. Each track takes you soaring across a soundscape that has layers of intricacy rooted deep in rhythm. Once the music starts, your ears will be treated like royalty and bathed in the sonic aura of modern music.

It’s not everyday that I come across music that captivates me in such a way that I listen to it on repeat. This album has lasting power and will find a permanent spot in many playlists and music libraries. Fans of Ian Pooley, Broadcast, Moby, BT, and Brian Eno will find this album to be a new juggernaut in their music collection. The undertones of EDM mixed in with the dance rhythms will be a perfect fit for any social gathering. Music that can fill a room and not take over the conversation is like a diamond in the rough. Adorn yourself with the sound of Bruce Cohen and get your mind, body, and soul in motion with his new album, Four BC.

∎ David Hughes — New Music From Around The World Blog

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Music Related Junk Reviews Bruce Cohen’s Single “SEEN”

 

 

 

 

 

The cacophony of synths in the background never really settles for a melody, and yet I can’t help but find the din all weirdly hypnotic as it hums and whirrs against the looping percussion in the foreground. For all I know it could just be a dude smashing random notes on a keyboard, although I’d like to think it’s more calculated than that.

∎ Alasdair Kennedy — Music Related Junk — Tracks Of The Week

WATCH THE “SEEN’ VIDEO

Canada’s 3Angels Films Releases “Summer Rewind”

The latest film release from Canada’s 3Angles Power Films is, “Summer Rewind.”  Directed by Gladys Karam, the film demonstrates the concept that souls never die and continue on through blogs and vIogs, as well as paranormal activity, and ghost sightings.  Visual effects play an important role in unfolding the storyline, combined with shooting on location in historic Cornwall, Ontario, founded in 1784.

The 3Angeles continue their tradition of culling music artists from around the world, including three tracks for the film and soundtrack CD licensed from Tarock Music, “Witches Brew” by Bruce Cohen, “Got To Know” by Rick Shaffer, and “Dark As Night” by The Reds.  The film’s theme song was composed and recorded by the UK’s Rizo Balic, while artists Christopher Christofi, Ryda, Elie Kallas, Jano Feghali, Hope Wiseman, and Jeanne d’arc Karam (one of the 3Angles) each contributed their own unique music tracks.

 

JamSphere Review: “Bruce Cohen’s Four BC is ambient music that favors abstraction and improvisation.”

JamsSphereBruce Cohen is a founding member of the Philadelphia band, The Reds®, who’s first self-titled produced by David Kershenbaum, showed the band’s impressive blend of Rick Shaffer’s guitar, and Bruce Cohen’s keyboards.  The album was supported with live appearances with such diverse acts as The Police, Joe Jackson, Blondie, The Ramones, The Psychedelic Furs, and Public Image.  Cohen’s solo projects include musical scores for theatrical productions and his electronic album series “One BC”, “Two BC,” “Three BC,” and now the latest 2017 album – “Four BC.”

The liner explains that on this recording, Bruce Cohen returned to his ‘ambient electronic roots, with the slightly added twist of totally improvising every song to fit a self-imposed four minute time frame, with little to no overdubs, and no edits whatsoever.’

Douglas Rushkoff notes in his book that “ambient music isn’t a set of particular sounds one listens to but a space in which one breathes.”  In “Four BC” the layers and washes of sound and music can be focused on or ignored, lazily mind-surfed or instead analyzed.

Never a trite “sound collage”, a problem which plagues so many in this genre, this album has moods, textures and rhythms that lend well to repeat listening.  So you can dig deep or soar to the shore with this exceptional work.

Come equipped with a truly open mind because “Four BC” is easy to dismiss without one.  As improvised music, it shouldn’t be surprising that one needs to experiment in finding the appropriate setting and circumstances for realizing its potential.

It may be as simple as using headphones in darkness; for others, it may need to be experienced in nature during a particular time of year.  But the genius is in there waiting for you.  If you can’t be bothered to put in the effort, then listen anyway as you’ll still find plenty to enjoy in terms of rhythms and sounds. It just more accurate listening is so much more rewarding.

I am a devout listener of ambient/electronic music, and when I played through “Four BC” for the first time, I couldn’t believe what I was hearing, because I was so used to the mundane commercial tracks of mainstream artists.  I became instantly attuned to the vibrant, melodic vibrations and flowing wave-forms, and ethereal pings that instilled the vastness of space that was all beautifully, subtly and tastefully filled.

Frequencies are substituted for real soundscaping, as the tracks here, are evocative and extremely pleasant to listen to.  This is music that favors abstraction and improvisation, yet everything sounds well-planned out and accessible enough to hold your attention.

On the album “Four BC,” Bruce Cohen offers us more than mere sonic manipulation.  He looks beyond synth manuals and realizes music that is an inextricable weave of sound engineering, solitary reflection and ambient aesthetics.  Consider the album’s tracks as various degrees of emotion, lingering, and then shifting to another state.  For me, the musical subtlety of “Four BC” is in the impression left, rather than the story told.

∎ Rick Jamm — JamSphere MAGAZINE

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