Rick Shaffer’s “Modern Lie” Video Released

In every way possible America is being slowly destroyed politically, financially, medically, socially and environmentally. The controlled media barrages us 24/7 with nonsensical reporting of “news” that are deliberate diversion tactics meant to keep citizens from knowing exactly what is really taking place around us.

When it’s more important to rebuild Iraq, as our own infrastructure implodes, and people go hungry every day, it’s not hard to recognize the misguided plans of the self-appointed elite. When universal medical coverage can only be achieved if it includes tax credits for the rich there’s a major disconnect of reality.

The middle class has, and is, systematically being destroyed by the obvious agenda of creating two classes, the super-rich and the poor. Ask yourself which group you will become a part of in a two-class country. Sadly, most people are more interested in social media and their cell phones than the future of our country and environment. That is why it’s imperative that everyone in the U.S. band together to take the necessary action to “end the illusion” that this is the greatest country on the planet, when it clearly is not. It’s time to realize it’s all just a modern lie.

TarockMusic.com

WATCH THE “MODERN LIE” VIDEO ON YouTube

 

“STOLEN MOMENTS” BALANCES GARAGE PRIMITIVISM & SMART ROCK CRAFT!

 

 

2017 marks Rick Shaffer’s eighth solo album, “Stolen Moments”, which was inspired by the concept that there are no guarantees or promises in life.  Throughout his career, Shaffer has turned over every possible stone, and he’s decimated them all into a thousand pieces. He helped jump start punk rock, merged seamlessly into garage rock and found success with The Reds©, a band he co-founded, he has since found his way to solo punk and garage rock releases among other projects. That all makes his new record an incredibly hard act to follow. What else is there left to conquer? The proto-garage raver to end all garage ravers, that’s what!

Rick Shaffer’s art balances garage primitivism and smart rock craft, which will frequently draw avant-gardists and casual listeners alike, to his unique rock n’ roll fervor. Combining jagged, roaring guitars and fast-slow dynamics with raw melodic vocals, intertwining harmonics, and evocative, lyrics, Shaffer is an accomplished musicians who is not afraid to wail and bash out chords while his lead guitar squeals out spirals of beautiful noise.

The music’s shrieking power will cover every emotional and intellectual territory inside your cluttered brain, as “Stolen Moments” pushes the envelope, redefines, and ultimately sets fire to the foundations of everything currently found under the rock tag and all its sub-genres.

It is of course, abrasive in parts, but it is not inaccessible to even mainstream radio. I could easily imagine tracks such as Downtown Suzy”, Modern Lie, Time Strays and Call My Name blaring from my radio. It may take some time to get past the squalls of raw power, but once you do, it is easy to see that this actually is a very melodic album. The guitars wail and scream and Shaffer uses his instrument like few others do today. A great full-length from one of the smartest, ingenuous artists foraging within the genre, in my humble opinion.

No theatrics, no sense of hip or cool. Just the basics. The performances themselves are delivered in variable doses of bone crushing, elegance, beauty, raw, power, and color. The great thing about Rick Shaffer is that he is an artist that does everything so right. The vocals are fierce and emotive, Teddy Rixon’s bass like loud, delicate thunder, Stevie Carlisle’s drums smart, inventive, and solidly anchored.

And then there is Shaffer’s guitar, bearing the responsibility of bringing all those twisted, sonic sounds right into your stereo. Of course, there are the songs that exult those qualities, among them: All I Want, One In Five, Higher, Chopping Wood and Danger Awaits. Rick Shaffer is for real, and “Stolen Moments” is an immense creative process transformed into musical form, one that is impossible to ignore.

                                                                                       

Screaming Match Reviews Rick Shaffer’s “Stolen Moments”

 

ARTIST SPOTLIGHT: RICK SHAFFER

GARAGE-ROCKER RICK SHAFFER HAS BEEN GOING STRONG SINCE THE 70’S, AND HE CERTAINLY HASN’T LOST EVEN A LITTLE BIT OF THAT FLICKER AND FLAIR THAT MADE HIM SUCH A RECOGNIZABLE FORCE IN THE UNDERGROUND ROCK SCENE.

Continue reading and download a FREE mp3 of “Modern Line” . . . http://bit.ly/2fXugNO

Tarock Music Releases Rick Shaffer’s 8th Solo Album

Rick Shaffer’s eighth solo album, STOLEN MOMENTS, was inspired by the concept that there are no guarantees or promises in life, and every minute he spends writing and recording is precious time.  The result is an album packed with low-tech wallop, bursting energy and immediacy.  The production resembles The Stooges “Fun House” and is a proto-garage raver to end all garage ravers.

Read all the Liner Notes HERE.

Listen to full tracks on CD Baby.

ModernLie_SoundCloud

New Music From Around The World Reviews Bruce Cohen’s “Four BC”

I spent the weekend listening to a new album from Bruce Cohen. It’s rare to come across a musician that has such a deep vision for music and can captivate the sound around you. This new album is going to transport you out of your ordinary day-to-day mentality and take you to place in your mind has been waiting for you to visit. A place where you can let your imagination run wild and break free from the repetition of life.

Right off the press of the play button, you’re greeted by the uplifting rhythms of the premier track, “HAUS.”  This track will get you in the groove and set the mood for album. It is so important for the first track to set the mood of the album and this track has all the right ingredients for a lead-off track. You’ll find depth in the music that reaches far beyond the capabilities of your stereo system. Four BC is an instrumental journey through the vast untraveled landscape of your mind. Each track takes you soaring across a soundscape that has layers of intricacy rooted deep in rhythm. Once the music starts, your ears will be treated like royalty and bathed in the sonic aura of modern music.

It’s not everyday that I come across music that captivates me in such a way that I listen to it on repeat. This album has lasting power and will find a permanent spot in many playlists and music libraries. Fans of Ian Pooley, Broadcast, Moby, BT, and Brian Eno will find this album to be a new juggernaut in their music collection. The undertones of EDM mixed in with the dance rhythms will be a perfect fit for any social gathering. Music that can fill a room and not take over the conversation is like a diamond in the rough. Adorn yourself with the sound of Bruce Cohen and get your mind, body, and soul in motion with his new album, Four BC.

∎ David Hughes — New Music From Around The World Blog

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The Ark Of Music Reviews Bruce Cohen’s Album FOUR BC

He’s shared the stage with such acts as The Police, Blondie, and The Ramones. His music has been featured in major film as well as stage theater. He’s written and performed with multiple bands, and on his own. Perhaps you do not know his name, but you’ve likely heard something he’s done, as Bruce Cohen has been at this music thing for some time now.

While his previous band collaborations have produced punkish classic-rock (The Reds) and psychedelic jazz (Big Fun 3), Cohen, on his down time, has been quietly amassing a small library of electronica:  2009’s One BC, 2011’s Two BC, 2015’s Three BC, and of course his most recent effort for which we are gathered here today, Four BC.

However, this song smith’s newest project was produced in a far from typical manner. Rather than recording in the usual and customary fashion, Cohen decided to record the album live, with little to no overdubs, and no edits whatsoever. And, just for an added twist, each song was held to a four-minute time-frame in honor of this fourth installment to the BC series. Let me give you just a bit of a spoiler . . . it worked.

Here’s what we dug most…

Opening with Haus, BC builds a compelling rhythm, bass-line, and multiple layers of synthesized sounds, all the while a contrasting and somewhat divergent key riff loops in the background. As the melodies and layers build and fuse, I kept waiting for said divergent key riff to get old…it did not. Well done first track, he’s clearly a pro.

Straight out of some—as of yet—unwritten Sci-Fi film score, Luna is an ambient, percussion-less ocean of sound expanding in all directions, which reminded me of Ridley Scott’s 2012 film, Prometheus.

Seen is like something you might hear over an epic medieval battle sequence. The composition is suspenseful as inner, core rhythm and synth features drive on while ambient layers of sound arise from the exterior. This track is  compelling and inspirational. (See video, and download a free mp3 on SoundCloud.)

In keeping with Four BC’s Sci-Fi theme, Pawn is a spacey rave/dance track that could simultaneously make the cut for both your “chill” and “weekend” playlists.

Our Favorite Track:
Capping-off this 12-track experience with Well, I must tell you, this is exactly what I wanted in a final track. The album has its light and its dark, its peaks and valleys, and as strange as it’s going to sound, I really wanted to leave this experience feeling refreshed. That said, ten seconds into this last piece, I knew it was going to make my all-time relaxation playlist (not an easy accomplishment). Combining gentle and subtly raw sound elements with a flute-like melody-line, Cohen closes the album in truly majestic fashion.

Like the ambient, symphonic soundtrack to someone’s fantasized, Sci-Fi life, Four BC is an adventurous, imagination-stirring, sonic experiment that is loaded with dynamic contrasts which alternate frequently between rhythm schemes that fit perfectly in the rave club sceneandformless, morphogenic clouds of free-form sound that can transport your being-ness to another time and place. And, with more or less flawless production, what we have with Cohen’s fourth solo effort is entirely satisfying.

Whose lovechild…?  Ambient electronica veterans Helios make a record with German composer Marc Streitenfeld.

Noah James Hittner & The Ark of Music Team 

BRUCE COHEN OFFICIAL WEBSITE                                  WATCH THE “SEEN” VIDEO

Tarock Music’s 2012 Review

Fireworks

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HAPPY NEW YEAR!  We hope 2013 will be the best year ever for all of us.  Everyone at Tarock Music was busy throughout 2012.  We had lots of activity with ventures completed and started to pave the way into 2013, and following are a few of the highlights.

We started off the year with Rick Shaffer’s video, Buy And Sell, from his Hidden Charms album, being nominated for a Rock Wired Radio Music Award.

Universal Music Group digitally re-released two Reds albums – The Reds and Green With Envy.  As well, as soundtracks that Rick Shaffer and Bruce Cohen wrote songs and score for, Manhunter, directed by Michael Mann, and Band Of The Handdirected by Paul Michael Glaser.

Shaffer also released a new album, Idiot Flats, that immediately became Indie Music Critic’s Pick Of The Week, along with great reviews by Devon Jackson, James Moore, Chairman Ralph, Chris West, and lots more.  To read all the reviews visit our Tarock Music web site, and click on the Idiot Flats tab and sub-tabs at the top of the page.  A video of track 2, “One More Heartache,” was also released,  directed by David N. Donihue (Super Rad Motion Picture Group).  While British director, Peter McAdam, started work on a video of track 3, “Remember,” using his patented iCoda software, that will debut in 2013.

Director Steve Balderson (Dikenga Films) licensed Bruce Cohen’s instrumental, “Saturn Night,” for his film The Far Flung Star, that’s scheduled for release in 2013.  And, Pump Audio licensed  tracks from Cohen’s solo album, Two BC.

Director John Lawrence licensed Shaffer and Cohen’s tracks, “Big Town” and “Dark As Night,” for his feature film debut, Peloton.  The film was the official selection of the Heartland Film Festival, Napa Valley Film Festival, and Lucerne International Film Festival.

Tarock Music signed  with Los Angeles based Chris Brown and Jeff Johnson’s Natural Half Note Songs,  to license our catalog for TV and film.

Tarock Music joined the effort to save the United Kingdom’s 99-year-old Twickenham Film Studios.  The fight is still on and their petition currently has 4,866 signatures, with 5,000 needed ASAP.  Take a minute to support Twickenham by adding your name . . . Save Twickenham Studios Petition.   And, we continue to support Yoko and Sean Lennon’s Artist’s Against Fracking in New York.  You can still add your name to this ongoing cause that will eventually terribly affect all of us in every state if we don’t protest now.

We also steered you to noteworthy directors from the Once A Week Film Festival and we hope you enjoyed watching their unique indie films.

Now, we’re happily going forward into 2013 ready for new ventures and opportunities, and hope you’ll all be doing the same.