New Single Release By Bruce Cohen ◆ “Big Guy Returns”

TAROCK MUSIC HAS RELEASED “BIG GUY RETURNS” AN ELECTRONIC INSTRUMENTAL BY BRUCE COHEN.

“BIG GUY RETURNS” HAS A GREAT 1970’s HERBIE HANCOCK HEAD HUNTERS FUNK GROOVE, WITH AMBIENT TEXTURES.

LISTEN TO THE TRACK ON SOUNDCLOUD

 

“RAVE UP” IS A NEW SINGLE RELEASE BY RICK SHAFFER

TAROCK MUSIC HAS RELEASED “RAVE UP” A NEW  ROCK INSTRUMENTAL BY RICK SHAFFER.

SHAFFER WROTE THE SONG AS A HOMAGE TO LINK WRAY, AND THE YARDBIRDS.

LISTEN TO THE TRACK ON SOUNDCLOUD

Muzic Notez Magazine Reviews “Stolen Moments”

 

 

Pennsylvania rock artist Rick Shaffer’s career in music spans decades. His accolades are impressive to say the least. But now, he’s released what I would consider his best of 8 solo albums to date! The ten track Garage Rock album Stolen Moments packs a real punch.

From the first track All I Want you will start bobbing your head and grooving along. The guitar riffs are pungent and the vocals are reminiscent of many classic rock legends. The whole album from front to back is packed full of energy. You can tell Rick had a ton of fun creating Stolen Moments.

Rick Shaffer says that the inspiration for Stolen Moments is that there are no guarantees in life, and every moment he spends creating music is precious time. We definitely agree, and are glad he spends his time wisely, for us all to enjoy the results!

Muzic Notez Magazine

WATCH THE “MODERN LIE” VIDEO

                     

Screaming Match Reviews Rick Shaffer’s “Stolen Moments”

 

ARTIST SPOTLIGHT: RICK SHAFFER

GARAGE-ROCKER RICK SHAFFER HAS BEEN GOING STRONG SINCE THE 70’S, AND HE CERTAINLY HASN’T LOST EVEN A LITTLE BIT OF THAT FLICKER AND FLAIR THAT MADE HIM SUCH A RECOGNIZABLE FORCE IN THE UNDERGROUND ROCK SCENE.

Continue reading and download a FREE mp3 of “Modern Line” . . . http://bit.ly/2fXugNO

Tarock Music Releases Rick Shaffer’s 8th Solo Album

Rick Shaffer’s eighth solo album, STOLEN MOMENTS, was inspired by the concept that there are no guarantees or promises in life, and every minute he spends writing and recording is precious time.  The result is an album packed with low-tech wallop, bursting energy and immediacy.  The production resembles The Stooges “Fun House” and is a proto-garage raver to end all garage ravers.

Read all the Liner Notes HERE.

Listen to full tracks on CD Baby.

ModernLie_SoundCloud

Bruce Cohen’s “Four BC”. . . .”gives nods to shows like Twin Peaks and Stranger Things.”

Kicking off with opening track ‘Haus’, Bruce Cohen’s latest release Four BC hits out hard with a fierce beat that grabs the attention immediately.  Without much hesitation, we are sent headfirst into a dizzying spiral of woozy ambient samples and an intoxicating melody made up of swirling glacial notes.  There’s a slight tone of dread sitting beneath it all, while Cohen’s production keeps things wide and airy at the same time.  His music builds gradually, adding various new elements to the mix as it progresses, constantly growing and holding the attention.

The underlying darker tones are maintained as we are led into ‘Luna’, with its sparse atmospheric pads that heave and groan under their own weight, giving a nod towards the soundtracks of shows like Twin Peaks and Stranger Things.  Those earlier glacial notes return, adding contrast and atmosphere, with a sense of space that really pulls the listener in.  As it develops, it becomes all embracing, reaching out and wrapping the listener into its own carefully constructed world of sonic mystery. Where are we being taken?  Will we make it out alive?  This is when the confident beat of ‘Lost’ kicks in, and we now find ourselves in an utterly alien landscape.  Tones fly back and forth like an extraterrestrial language, trying to communicate but we are here without a translator.

Once you have made it a few tracks in to Four BCyou’ll begin to feel at home.  It’s like being transported to another world but it’s not scary or overwhelming.  Rather, it is entirely welcoming, where the listener is invited to relax and engage on whatever level they might feel able.  It’s not the kind of ambient music where you can totally check out and let it wash over you – although it could quite easily serve that purpose – because there is so much going on that it really demands close attention and inspection.  Sounds shift and change, never staying still but constantly evolving and reforming into new throbs and washes.

Whenever there has been a moment where things feel like they are really winding down (‘Rise’), suddenly we are headlong into a new sequence which takes us in a whole other direction (‘Seen’).  In many ways Four BC is like being invited to a huge mansion and given the freedom to wander around to investigate its many rooms.  As you begin to do so, you realize that every room is totally different with new things to discover.  And further still, you begin to realize that each room has something in common with all the others.  There is a plan here, Cohen has very carefully constructed a sequence of spaces that are totally consistent yet always offering something new.  As a result, the album sits somewhere between chilled out ambient and cerebral EDM, making it the kind of record that can be listened to in a range of settings and for different listening purposes. It’s relaxed, but won’t send you to sleep.  It’s engaging, but won’t exhaust you either.

• Chris Marsh • CrossRadar 

 

                          

 

The Ark Of Music Reviews Bruce Cohen’s Album FOUR BC

He’s shared the stage with such acts as The Police, Blondie, and The Ramones. His music has been featured in major film as well as stage theater. He’s written and performed with multiple bands, and on his own. Perhaps you do not know his name, but you’ve likely heard something he’s done, as Bruce Cohen has been at this music thing for some time now.

While his previous band collaborations have produced punkish classic-rock (The Reds) and psychedelic jazz (Big Fun 3), Cohen, on his down time, has been quietly amassing a small library of electronica:  2009’s One BC, 2011’s Two BC, 2015’s Three BC, and of course his most recent effort for which we are gathered here today, Four BC.

However, this song smith’s newest project was produced in a far from typical manner. Rather than recording in the usual and customary fashion, Cohen decided to record the album live, with little to no overdubs, and no edits whatsoever. And, just for an added twist, each song was held to a four-minute time-frame in honor of this fourth installment to the BC series. Let me give you just a bit of a spoiler . . . it worked.

Here’s what we dug most…

Opening with Haus, BC builds a compelling rhythm, bass-line, and multiple layers of synthesized sounds, all the while a contrasting and somewhat divergent key riff loops in the background. As the melodies and layers build and fuse, I kept waiting for said divergent key riff to get old…it did not. Well done first track, he’s clearly a pro.

Straight out of some—as of yet—unwritten Sci-Fi film score, Luna is an ambient, percussion-less ocean of sound expanding in all directions, which reminded me of Ridley Scott’s 2012 film, Prometheus.

Seen is like something you might hear over an epic medieval battle sequence. The composition is suspenseful as inner, core rhythm and synth features drive on while ambient layers of sound arise from the exterior. This track is  compelling and inspirational. (See video, and download a free mp3 on SoundCloud.)

In keeping with Four BC’s Sci-Fi theme, Pawn is a spacey rave/dance track that could simultaneously make the cut for both your “chill” and “weekend” playlists.

Our Favorite Track:
Capping-off this 12-track experience with Well, I must tell you, this is exactly what I wanted in a final track. The album has its light and its dark, its peaks and valleys, and as strange as it’s going to sound, I really wanted to leave this experience feeling refreshed. That said, ten seconds into this last piece, I knew it was going to make my all-time relaxation playlist (not an easy accomplishment). Combining gentle and subtly raw sound elements with a flute-like melody-line, Cohen closes the album in truly majestic fashion.

Like the ambient, symphonic soundtrack to someone’s fantasized, Sci-Fi life, Four BC is an adventurous, imagination-stirring, sonic experiment that is loaded with dynamic contrasts which alternate frequently between rhythm schemes that fit perfectly in the rave club sceneandformless, morphogenic clouds of free-form sound that can transport your being-ness to another time and place. And, with more or less flawless production, what we have with Cohen’s fourth solo effort is entirely satisfying.

Whose lovechild…?  Ambient electronica veterans Helios make a record with German composer Marc Streitenfeld.

Noah James Hittner & The Ark of Music Team 

BRUCE COHEN OFFICIAL WEBSITE                                  WATCH THE “SEEN” VIDEO