The Ark Of Music Reviews Bruce Cohen’s Album FOUR BC

He’s shared the stage with such acts as The Police, Blondie, and The Ramones. His music has been featured in major film as well as stage theater. He’s written and performed with multiple bands, and on his own. Perhaps you do not know his name, but you’ve likely heard something he’s done, as Bruce Cohen has been at this music thing for some time now.

While his previous band collaborations have produced punkish classic-rock (The Reds) and psychedelic jazz (Big Fun 3), Cohen, on his down time, has been quietly amassing a small library of electronica:  2009’s One BC, 2011’s Two BC, 2015’s Three BC, and of course his most recent effort for which we are gathered here today, Four BC.

However, this song smith’s newest project was produced in a far from typical manner. Rather than recording in the usual and customary fashion, Cohen decided to record the album live, with little to no overdubs, and no edits whatsoever. And, just for an added twist, each song was held to a four-minute time-frame in honor of this fourth installment to the BC series. Let me give you just a bit of a spoiler . . . it worked.

Here’s what we dug most…

Opening with Haus, BC builds a compelling rhythm, bass-line, and multiple layers of synthesized sounds, all the while a contrasting and somewhat divergent key riff loops in the background. As the melodies and layers build and fuse, I kept waiting for said divergent key riff to get old…it did not. Well done first track, he’s clearly a pro.

Straight out of some—as of yet—unwritten Sci-Fi film score, Luna is an ambient, percussion-less ocean of sound expanding in all directions, which reminded me of Ridley Scott’s 2012 film, Prometheus.

Seen is like something you might hear over an epic medieval battle sequence. The composition is suspenseful as inner, core rhythm and synth features drive on while ambient layers of sound arise from the exterior. This track is  compelling and inspirational. (See video, and download a free mp3 on SoundCloud.)

In keeping with Four BC’s Sci-Fi theme, Pawn is a spacey rave/dance track that could simultaneously make the cut for both your “chill” and “weekend” playlists.

Our Favorite Track:
Capping-off this 12-track experience with Well, I must tell you, this is exactly what I wanted in a final track. The album has its light and its dark, its peaks and valleys, and as strange as it’s going to sound, I really wanted to leave this experience feeling refreshed. That said, ten seconds into this last piece, I knew it was going to make my all-time relaxation playlist (not an easy accomplishment). Combining gentle and subtly raw sound elements with a flute-like melody-line, Cohen closes the album in truly majestic fashion.

Like the ambient, symphonic soundtrack to someone’s fantasized, Sci-Fi life, Four BC is an adventurous, imagination-stirring, sonic experiment that is loaded with dynamic contrasts which alternate frequently between rhythm schemes that fit perfectly in the rave club sceneandformless, morphogenic clouds of free-form sound that can transport your being-ness to another time and place. And, with more or less flawless production, what we have with Cohen’s fourth solo effort is entirely satisfying.

Whose lovechild…?  Ambient electronica veterans Helios make a record with German composer Marc Streitenfeld.

Noah James Hittner & The Ark of Music Team 

BRUCE COHEN OFFICIAL WEBSITE                                  WATCH THE “SEEN” VIDEO

Music Related Junk Reviews Bruce Cohen’s Single “SEEN”

 

 

 

 

 

The cacophony of synths in the background never really settles for a melody, and yet I can’t help but find the din all weirdly hypnotic as it hums and whirrs against the looping percussion in the foreground. For all I know it could just be a dude smashing random notes on a keyboard, although I’d like to think it’s more calculated than that.

∎ Alasdair Kennedy — Music Related Junk — Tracks Of The Week

WATCH THE “SEEN’ VIDEO

JamSphere Review: “Bruce Cohen’s Four BC is ambient music that favors abstraction and improvisation.”

JamsSphereBruce Cohen is a founding member of the Philadelphia band, The Reds®, who’s first self-titled produced by David Kershenbaum, showed the band’s impressive blend of Rick Shaffer’s guitar, and Bruce Cohen’s keyboards.  The album was supported with live appearances with such diverse acts as The Police, Joe Jackson, Blondie, The Ramones, The Psychedelic Furs, and Public Image.  Cohen’s solo projects include musical scores for theatrical productions and his electronic album series “One BC”, “Two BC,” “Three BC,” and now the latest 2017 album – “Four BC.”

The liner explains that on this recording, Bruce Cohen returned to his ‘ambient electronic roots, with the slightly added twist of totally improvising every song to fit a self-imposed four minute time frame, with little to no overdubs, and no edits whatsoever.’

Douglas Rushkoff notes in his book that “ambient music isn’t a set of particular sounds one listens to but a space in which one breathes.”  In “Four BC” the layers and washes of sound and music can be focused on or ignored, lazily mind-surfed or instead analyzed.

Never a trite “sound collage”, a problem which plagues so many in this genre, this album has moods, textures and rhythms that lend well to repeat listening.  So you can dig deep or soar to the shore with this exceptional work.

Come equipped with a truly open mind because “Four BC” is easy to dismiss without one.  As improvised music, it shouldn’t be surprising that one needs to experiment in finding the appropriate setting and circumstances for realizing its potential.

It may be as simple as using headphones in darkness; for others, it may need to be experienced in nature during a particular time of year.  But the genius is in there waiting for you.  If you can’t be bothered to put in the effort, then listen anyway as you’ll still find plenty to enjoy in terms of rhythms and sounds. It just more accurate listening is so much more rewarding.

I am a devout listener of ambient/electronic music, and when I played through “Four BC” for the first time, I couldn’t believe what I was hearing, because I was so used to the mundane commercial tracks of mainstream artists.  I became instantly attuned to the vibrant, melodic vibrations and flowing wave-forms, and ethereal pings that instilled the vastness of space that was all beautifully, subtly and tastefully filled.

Frequencies are substituted for real soundscaping, as the tracks here, are evocative and extremely pleasant to listen to.  This is music that favors abstraction and improvisation, yet everything sounds well-planned out and accessible enough to hold your attention.

On the album “Four BC,” Bruce Cohen offers us more than mere sonic manipulation.  He looks beyond synth manuals and realizes music that is an inextricable weave of sound engineering, solitary reflection and ambient aesthetics.  Consider the album’s tracks as various degrees of emotion, lingering, and then shifting to another state.  For me, the musical subtlety of “Four BC” is in the impression left, rather than the story told.

∎ Rick Jamm — JamSphere MAGAZINE

fourbc_soundcloud

Tarock Music Releases Bruce Cohen’s “SEEN” Video

fourbc_artworkTarock Music has released a video of Seen track 5 on Bruce Cohen’s new album, Four BC.  

All of the pencil sketches in the video are the work of Cuban artist Emilio Sanchez (1921 – 1999) from his private collection created from 1940 to 1999.  His full biography can be read at The Emilio Sanchez Foundation. 

View “SEEN” on YouTube ► https://youtu.be/SwCTUP-_kM8

And, download a FREE mp3 of “SEEN” on SoundCloud  https://soundcloud.com/tarockmusic/seen-bruce-cohen

 

Tarock Music Releases Bruce Cohen’s “FOUR BC” Album

fourbc_artworkTarock Music has released Bruce Cohen’s 2017 album.

On FOUR BC Cohen returns to his ambient electronic roots, with the slightly added twist of totally improvising every song to fit a self imposed four minute time frame, with little to no overdubs, and no edits whatsoever.

Listen/Buy/ Full Tracks HERE

Download a FREE mp3 of “Seen” on SoundCloud

ALBUM LINER NOTES

 

RockWired Voters Name Rick Shaffer November ARTIST OF THE MONTH

rockwiredartist-ofthemonthThe polls closed for RockWired’s November 2016 ARTIST OF THE MONTH campaign. Voters made their vote count and Rick Shaffer is RockWired’s 72nd ARTIST OF THE MONTH.

Back in 2011, guitarist Rick Shaffer perked our ears at RockWired with the release of his solo album “HIDDEN CHARMS” and it’s reliance on the very fuzzy, distorted guitar sounds that made Link Wray legendary, the swagger that made The Stones the big deal that they’ve been for fifty some odd years, and Shaffer’s purring vocals that recall Stooges-era Iggy Pop, and Velvet Underground-era Lou Reed. Trust us when we say that no charms were hidden on that album. It was all audible and the perfect antidote to much of the over-production that had come to typify a lot of rock music that year.

Hell, over-production still typifies much of the rock n roll that’s out there now and thank God for Shaffer’s album “OUTSIDE OF TIME.” Shaffer’s gritty rock ‘n roll approach is put to good use on material that speaks to life’s highs and lows (mostly lows) such as the stomping first single “Going Down Slow” accompanied by a mesmerizing music video.

∎October 31, 2016 — Brian Lush — RockWired.com

WATCH THE VIDEO ► http://www.tarockmusic.com/going_down_slow_video/

 

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“Going Down Slow” Gets Music Blogged

musicbloggedRick Shaffer is an artist with a truly distinctive approach to his vision and sound. This talented musician cleverly combines alternative music and country rock in order to create songs that hit the spot emotionally and technically.

The songs on Rick’s recently released album Outside Of Time demonstrate high quality musicianship and timeless song-writing wits, reminding me of the sound of seminal influencers including the likes of Neil Young, The Cramps or The Blasters, just to mention but a few.

The album’s lead single “Going Down Slow” does a great job of driving the album with a set of stunning rhythms and melodies. The song effortlessly goes between blues, rock and country. The aesthetics of the song have a truly 60s flavor, but the arrangement and the production value have a punch that is all modern and up-to-speed with the needs and want of today’s audience.

Rick is a charismatic performer whose style is refreshingly direct, iconic and versatile. Behind its thought-provoking enigmatic title, this album hides a refreshingly down-to-earth approach that goes back to the roots of Rick’s passion.

Ben Corke – Music Blogged

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