Muzic Notez Magazine Reviews “Stolen Moments”

 

 

Pennsylvania rock artist Rick Shaffer’s career in music spans decades. His accolades are impressive to say the least. But now, he’s released what I would consider his best of 8 solo albums to date! The ten track Garage Rock album Stolen Moments packs a real punch.

From the first track All I Want you will start bobbing your head and grooving along. The guitar riffs are pungent and the vocals are reminiscent of many classic rock legends. The whole album from front to back is packed full of energy. You can tell Rick had a ton of fun creating Stolen Moments.

Rick Shaffer says that the inspiration for Stolen Moments is that there are no guarantees in life, and every moment he spends creating music is precious time. We definitely agree, and are glad he spends his time wisely, for us all to enjoy the results!

Muzic Notez Magazine

WATCH THE “MODERN LIE” VIDEO

                     

Rebecca Cullen Reviews Rick Shaffer’s “Stolen Moments”

 

 

After experiencing the strength of Rick Shaffer’s previous album Outside Of Time the prospect of a new project to indulge in was an exciting one. In actual fact, if at all possible, Stolen Moments is even more of an explosion of energy, passion and grit than the former, and it’s addictively entertaining.

All I Want is the opener, and what a way to begin. Full throttle rock and roll, authentic grit and gravel in the voice and the distortion. Notably different to anything else I’ve heard from the songwriter, All I Want has something deeply real about it – the lyrics seem consumed by the chaos and beauty of being human, being lost within a lust for making music. It’s not dissimilar to the incomparably honest sound of Black Rebel Motorcycle Club. The sound of Rick’s voice is superb, stylish and powerful, emotional, entirely engaged and seemingly married to this music and this artistry.

Downtown Suzy explodes in an equally attention grabbing manner. The guitars are out of this world, and the melodies and riffs featured bring about a touch of country rock, a hint of Primal Scream, a varied sense of songwriting and a definite moment of certainty and character. One In Five swings the indie anthem bat and offers up a memorable guitar riff and a song with plenty of space surrounding the lyrics, so you get a real sense of storytelling, as well as a further helping of almighty rock and roll.

Modern Lie is a huge song; from the moment it begins there’s something striking and quite special about it. The chord progression, the slightly softer sound, the additional vocal parts, the melody, the build up to the hook – this one is a stunning bit of songwriting. You can take home a copy of this song in an instant, for free; just click the link below…

Another beautifully honest and compelling song is Other One. This track leaves its mark for a number of reasons, not least of all that inherent depth and passion that comes through in the reflective storytelling, and the emotional vocal performance; gentler here for the most part. There’s a real touch of humanness to the writing and Rick Shaffer undoubtedly has a way with poetic expression, as well as a unique and interesting perspective on life. A fantastic song.

Higher is an infectiously enjoyable track, the rhythm and vibrancy of the piece just pours out through the speakers and incites a craving to witness the whole thing being performed live. The full band, real time experience is likely to be insanely good. There’s a sense of urgency to the song and it fills you with enthusiasm and a certain lust for life, in the way that only truly expressive, authentic music can. Rick Shaffer’s passion is incomparable, it drives these songs with intense purity and realness, and fortunately, his unquestionable level of experience means that every track is skilfully and effectively crafted.

There’s another moment of somewhat lighter rock and roll with Time Stays. The guitar riff running throughout creates a further touch of country rock and blues, and as the song progresses, the melody varies a little, and the good vibes seem to multiply. Call My Name follows on from this brilliantly. Stolen Moments is really a project that just gets better and better as it moves along. The sound becomes familiar, the energy settles in for the long run, and the ideas presented take on a new level of personality and intrigue.

Chopping Wood is a song in a world of its own. The opening instrumentation has the ultimate level of grit and boldness that just oozes creative freedom and storms into your consciousness with a manic sort of power. Then you get the final track of the collection, the smooth and seductive hit that is Danger Awaits. There’s a sense of space again here, the beat is thick and heavy yet mellow in pace, the reverb-soaked solo guitar moments flicker in and out of the mix. The bass line is spectacular – simple but solid in its attitude and relevance to the mood. And of course, right there on top of everything, Rick Shaffer’s vocal strength and immediacy offers up the concept and the story line as one last reminder of his unwavering presence, as one last stolen moment even. The artist is unstoppable, and the quality of the music is at an all time high.

• Rebecca Cullen (Musician and writer with an MA in Songwriting.)

                             Watch the “Modern Lie” video YouTube

Screaming Match Reviews Rick Shaffer’s “Stolen Moments”

 

ARTIST SPOTLIGHT: RICK SHAFFER

GARAGE-ROCKER RICK SHAFFER HAS BEEN GOING STRONG SINCE THE 70’S, AND HE CERTAINLY HASN’T LOST EVEN A LITTLE BIT OF THAT FLICKER AND FLAIR THAT MADE HIM SUCH A RECOGNIZABLE FORCE IN THE UNDERGROUND ROCK SCENE.

Continue reading and download a FREE mp3 of “Modern Line” . . . http://bit.ly/2fXugNO

Tarock Music Releases Rick Shaffer’s 8th Solo Album

Rick Shaffer’s eighth solo album, STOLEN MOMENTS, was inspired by the concept that there are no guarantees or promises in life, and every minute he spends writing and recording is precious time.  The result is an album packed with low-tech wallop, bursting energy and immediacy.  The production resembles The Stooges “Fun House” and is a proto-garage raver to end all garage ravers.

Read all the Liner Notes HERE.

Listen to full tracks on CD Baby.

ModernLie_SoundCloud

Bruce Cohen’s “Four BC”. . . .”gives nods to shows like Twin Peaks and Stranger Things.”

Kicking off with opening track ‘Haus’, Bruce Cohen’s latest release Four BC hits out hard with a fierce beat that grabs the attention immediately.  Without much hesitation, we are sent headfirst into a dizzying spiral of woozy ambient samples and an intoxicating melody made up of swirling glacial notes.  There’s a slight tone of dread sitting beneath it all, while Cohen’s production keeps things wide and airy at the same time.  His music builds gradually, adding various new elements to the mix as it progresses, constantly growing and holding the attention.

The underlying darker tones are maintained as we are led into ‘Luna’, with its sparse atmospheric pads that heave and groan under their own weight, giving a nod towards the soundtracks of shows like Twin Peaks and Stranger Things.  Those earlier glacial notes return, adding contrast and atmosphere, with a sense of space that really pulls the listener in.  As it develops, it becomes all embracing, reaching out and wrapping the listener into its own carefully constructed world of sonic mystery. Where are we being taken?  Will we make it out alive?  This is when the confident beat of ‘Lost’ kicks in, and we now find ourselves in an utterly alien landscape.  Tones fly back and forth like an extraterrestrial language, trying to communicate but we are here without a translator.

Once you have made it a few tracks in to Four BCyou’ll begin to feel at home.  It’s like being transported to another world but it’s not scary or overwhelming.  Rather, it is entirely welcoming, where the listener is invited to relax and engage on whatever level they might feel able.  It’s not the kind of ambient music where you can totally check out and let it wash over you – although it could quite easily serve that purpose – because there is so much going on that it really demands close attention and inspection.  Sounds shift and change, never staying still but constantly evolving and reforming into new throbs and washes.

Whenever there has been a moment where things feel like they are really winding down (‘Rise’), suddenly we are headlong into a new sequence which takes us in a whole other direction (‘Seen’).  In many ways Four BC is like being invited to a huge mansion and given the freedom to wander around to investigate its many rooms.  As you begin to do so, you realize that every room is totally different with new things to discover.  And further still, you begin to realize that each room has something in common with all the others.  There is a plan here, Cohen has very carefully constructed a sequence of spaces that are totally consistent yet always offering something new.  As a result, the album sits somewhere between chilled out ambient and cerebral EDM, making it the kind of record that can be listened to in a range of settings and for different listening purposes. It’s relaxed, but won’t send you to sleep.  It’s engaging, but won’t exhaust you either.

• Chris Marsh • CrossRadar 

 

                          

 

New Music From Around The World Reviews Bruce Cohen’s “Four BC”

I spent the weekend listening to a new album from Bruce Cohen. It’s rare to come across a musician that has such a deep vision for music and can captivate the sound around you. This new album is going to transport you out of your ordinary day-to-day mentality and take you to place in your mind has been waiting for you to visit. A place where you can let your imagination run wild and break free from the repetition of life.

Right off the press of the play button, you’re greeted by the uplifting rhythms of the premier track, “HAUS.”  This track will get you in the groove and set the mood for album. It is so important for the first track to set the mood of the album and this track has all the right ingredients for a lead-off track. You’ll find depth in the music that reaches far beyond the capabilities of your stereo system. Four BC is an instrumental journey through the vast untraveled landscape of your mind. Each track takes you soaring across a soundscape that has layers of intricacy rooted deep in rhythm. Once the music starts, your ears will be treated like royalty and bathed in the sonic aura of modern music.

It’s not everyday that I come across music that captivates me in such a way that I listen to it on repeat. This album has lasting power and will find a permanent spot in many playlists and music libraries. Fans of Ian Pooley, Broadcast, Moby, BT, and Brian Eno will find this album to be a new juggernaut in their music collection. The undertones of EDM mixed in with the dance rhythms will be a perfect fit for any social gathering. Music that can fill a room and not take over the conversation is like a diamond in the rough. Adorn yourself with the sound of Bruce Cohen and get your mind, body, and soul in motion with his new album, Four BC.

∎ David Hughes — New Music From Around The World Blog

.

The Ark Of Music Reviews Bruce Cohen’s Album FOUR BC

He’s shared the stage with such acts as The Police, Blondie, and The Ramones. His music has been featured in major film as well as stage theater. He’s written and performed with multiple bands, and on his own. Perhaps you do not know his name, but you’ve likely heard something he’s done, as Bruce Cohen has been at this music thing for some time now.

While his previous band collaborations have produced punkish classic-rock (The Reds) and psychedelic jazz (Big Fun 3), Cohen, on his down time, has been quietly amassing a small library of electronica:  2009’s One BC, 2011’s Two BC, 2015’s Three BC, and of course his most recent effort for which we are gathered here today, Four BC.

However, this song smith’s newest project was produced in a far from typical manner. Rather than recording in the usual and customary fashion, Cohen decided to record the album live, with little to no overdubs, and no edits whatsoever. And, just for an added twist, each song was held to a four-minute time-frame in honor of this fourth installment to the BC series. Let me give you just a bit of a spoiler . . . it worked.

Here’s what we dug most…

Opening with Haus, BC builds a compelling rhythm, bass-line, and multiple layers of synthesized sounds, all the while a contrasting and somewhat divergent key riff loops in the background. As the melodies and layers build and fuse, I kept waiting for said divergent key riff to get old…it did not. Well done first track, he’s clearly a pro.

Straight out of some—as of yet—unwritten Sci-Fi film score, Luna is an ambient, percussion-less ocean of sound expanding in all directions, which reminded me of Ridley Scott’s 2012 film, Prometheus.

Seen is like something you might hear over an epic medieval battle sequence. The composition is suspenseful as inner, core rhythm and synth features drive on while ambient layers of sound arise from the exterior. This track is  compelling and inspirational. (See video, and download a free mp3 on SoundCloud.)

In keeping with Four BC’s Sci-Fi theme, Pawn is a spacey rave/dance track that could simultaneously make the cut for both your “chill” and “weekend” playlists.

Our Favorite Track:
Capping-off this 12-track experience with Well, I must tell you, this is exactly what I wanted in a final track. The album has its light and its dark, its peaks and valleys, and as strange as it’s going to sound, I really wanted to leave this experience feeling refreshed. That said, ten seconds into this last piece, I knew it was going to make my all-time relaxation playlist (not an easy accomplishment). Combining gentle and subtly raw sound elements with a flute-like melody-line, Cohen closes the album in truly majestic fashion.

Like the ambient, symphonic soundtrack to someone’s fantasized, Sci-Fi life, Four BC is an adventurous, imagination-stirring, sonic experiment that is loaded with dynamic contrasts which alternate frequently between rhythm schemes that fit perfectly in the rave club sceneandformless, morphogenic clouds of free-form sound that can transport your being-ness to another time and place. And, with more or less flawless production, what we have with Cohen’s fourth solo effort is entirely satisfying.

Whose lovechild…?  Ambient electronica veterans Helios make a record with German composer Marc Streitenfeld.

Noah James Hittner & The Ark of Music Team 

BRUCE COHEN OFFICIAL WEBSITE                                  WATCH THE “SEEN” VIDEO